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Matt Kleberg’s Drawings

By John O'Connor

Matt makes intensely engaging paintings that grapple with the relationship between architectural spatiality and painterly flatness. Their color, gradations, and undulating, isometric patterns reveal shallow spaces that appear to both open and close simultaneously. Subtle shifts in the color and direction of his oil stick stripes and marks can make…

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Part 2: Interview with Chris Arabadjis

By John O'Connor

When I was writing my last essay on Chris’s works, we talked at length over email and his answers to my questions were really insightful. Chris also visited my Experimental Drawing class and the students loved him. Below is an edited version of our interview.   John – What was…

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Win the Lottery by Making a Drawing

By John O'Connor

As a follow up to my previous post, I thought it would be interesting to discuss a few more drawings that deal with the lottery, in more detail – how I thought through them in terms of process, and how I translated the ideas I have about the lottery into…

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Math Art for Kids

By John O'Connor

For this post I thought I’d talk about a drawing I’m currently working on and discuss how it has evolved over time. My son is 8 years old and one part of his math homework is completing word problems. These are math problems where the main information is presented in…

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Chris Taylor: Trying to Draw Billabongs

By John O'Connor

Chris and I are both from Westfield, Massachusetts so I know something of what he saw as he grew up. We lived near Northampton, in the midst of the western Massachusetts alternative music scene, and both loved the music of Dinosaur Jr., Steve Westfield, Pangloss, Sebadoh, and others. This music…

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How-To Make Art From Spam Emails

By John O'Connor

Like everyone, I get a ton of spam emails. And I often respond. I’m interested in how these emails, particularly those that attempt to elicit a visceral response, utilize language that appeals to our basic human impulses – they’re like technological fish food attempting to hook us into an emotional…

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Drawing in the Dark

By John O'Connor

Part 1. For this drawing, take 3 large pieces of paper, turn off the lights, and make drawings in your room, at night, in the dark.  Begin by toning your paper with a middle grey by rubbing an even amount of charcoal all over your paper; push it into the…

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Dawn Clements’ Drawings

By John O'Connor

I’ve shown Dawn Clements’ work to students for years, and upon first sight someone will invariably ask me why she leaves so much paper “blank”. This is a perfectly reasonable question when one is used to looking at drawing in the usual ways, but Dawn Clements’ drawings are anything but…

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